Camera Softbox Light
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Interfit Photographic Super Cool-lite Continuous Fluorescent 2 Head Lighting Kit $529.99 These units offer a convenient yet economical method of modern studio lighting, suitable for use with conventional still digital or video cameras. They provide a soft uniform diffused light. Ideal for Portraits in a confided area or web based product photography, and can be combined with a light pod or pop up light tent. For your convenience Interfit opffers a twin head kit which features twin sof… |
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Westcott Medium Spiderlite Tungsten Lighting Kit $429.90 Westcott Spiderlites are available in kits for still and video imagemakers. The Westcott Soft Boxes have new and improved heat resistant fabric, new sprung stainless steel rods and heat vents. The new rounded back eliminates light flare. See below for additional kit component details. Spiderlite features: 3200 Kelvin of continuous light Accepts 500 watt or 1000 watt lamps Built-in points for direc… |
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Interfit Photographic Stellar 500watt Tungsten Flood Light 1-Head Kit with Reflector, Bulb, 24×24 Softbox, & Light Stand, 500 Watts Total $199.00 The Stellar 3200°K Tungsten light Kit offers the power you need, with easy to use controls and is an ideal answer to low-cost studio lighting. The head is supplied complete with 8.5″ (18cm) standard reflector and bulb. Automatic, or selective white-balance using digital still or video cameras are ideally suited for tungten continuous lighting, while film cameras using daylight film require only … |
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Green Screen Video Starter Kit $424.55 Get started today with 600 Watt EZ Softbox Light Kit, 10×12 Cotton Muslin Green Screen, 200+ HD Video Elements, 5 virtual Reality Sets + Bonus, Chromakey for Video Instructional DVD, and FXhome HitFilm Standard Demo Chromakey Software…. |
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Tenba Shootout™ Rolling Utility Duffel Shootout Rolling Utility DuffelSHOOTOUT is a comprehensive collection of backpacks, waistpacks and accessories designed from the ground up for serious outdoor imaging. Shootout gear is light on your shoulders but heavy on protection, access and features…. |
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Softbox with Silver Interior 24×32 $169.90 The Westcott Box now comes standard with heat vents and rounded backs to eliminate light flare. The Westcott Box is made of quality fabrics, new and improved heat resistant fabric and is available with a silver or white interior. The fitted collar is also made of heat retardant material. Rods are now sprung stainless steel – no fiberglass to break. The inner baffle and outside diffusion panels are… |
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Westcott Small Spiderlite Kit $379.90 The Westcott Spiderlite Lighting Kit, large, includes a 16 x 22″ softbox that provides a wonderfully soft, diffused portrait light. The kit includes a 10′ heavy-duty light stand, 1000W lamp and tilter bracket. Westcott’s Spiderlite offers 3200 degrees Kelvin of constant light for still, digital, video or high definition image capture. Constructed of solid metal, the Spiderlite has rod points … |
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Smith Victor KSB-1250 Economy Softbox Three Light Kit, with 2 SBL-2436 & 1 SBL-1024 Softbox Lights, Light Stands, Mini Boom & Photoflood Lamps – 120V AC $574.95 The Smith Victor economically-priced line all-in-one SoftBox Lights combine a softbox with the light fixture, all in one unit! Can be used with fluorescent lamps, photoflood lamps, and Smith Victors new quartz halogen lamps. The Economy Softbox Light is a great way to take advantage of softbox lighting quality at very reasonable prices. The silver metalic lining inside the softbox is designed for … |
photography lighting question?
Im shooting custom motorcycles, what is the best way to keep the softbox and other lighting reflections from showing up bikes gas tank in the photos?
Also In some parts of the chrome you can see me and the camera in the reflection also, is there a way to avoid this besides photoshopping it out?
I don’t know if it such a good idea to try to completely remove the highlights of the softbox from the motorcycle. In most of the bike pictures that I saw, they are there. This separate the dark areas of the bike and defines the reflective quality of the surface.
In order to remove yourself from the reflection on the chrome, the areas along side and behind you would have to be dark or black. This could be achieved by putting put black sheets of muslin behind you or shooting thru a crack in the muslin. This way there’s nothing to reflect.
I don’t recommend shooting this with an umbrella. The lighting would be less than ideal for bike pictures. Usually when they shoot cars or things like this, the softboxes are usually much much larger than the object. This gives a long softbox reflection off the object thru out the length of the object. In a studio type setting. I don’t know how elaborate or creative you’re looking to achieve but there’s a thought.